What's On

Find the Places

Meet the People

Culture Blog

Resonating Bodies, The Levinsky Gallery

Monday, February 12


Resonating Bodies explores the complexities of relationships between humans and machines.

The exhibition responds to the fragility and uncertainty that we face in our increasingly digital and automated world. At a time when our sense of being is in a state of flux, the artists, Karen Abadie and Laura Rosser, lean into this unknown through the materiality of the machine.

The interplay of human and nonhuman machine bodies are messy and challenged through the corporeality of the work. The machines resonate, clatter and converse in the space, through an entangling of analogue and low-fi technologies, celluloid, paper and ink.

Each artist embraces the errors, slip-ups, scratches and ruptures that emerge through working with old, often broken, or malfunctioning technologies. The collective artworks pose questions around political, cultural and societal breaking down, which instead might be seen as a means to repair, renew, regenerate and refresh. The artists’ interdisciplinary practices challenge misconceptions of analogue machines as ‘obsolete’ or ‘outdated’ and reimagine human and nonhuman relationships in these precarious times.

Abadie’s practice explores what it is to be an embodied being in collaboration with the machine. The imagery presents apparently opposing embodied states that float and bounce around the exhibition space. The artwork offers a repositioning of these states with leaky messy boundaries as these materialities interweave, converse, entangle and collide. The celluloid film interacts with the heavy mass of the analogue machines, its tender surface becoming worn, scarred, scratched and even broken. The collision between human and nonhuman undeniably articulated by this apparent violence.

Rosser’s practice draws on expanded understandings of error to reimagine our relationships with machines, systems and online spaces. Working with her collection of dot matrix printers and printed ephemera, she creates live text-based installations that embrace liveliness as potential for unforeseen creativity, signalling a move away from conventions of logic and order. This work creates opportunity for diverse voices and new relations to emerge. Her playful use of language and translation disrupt – and interrupt – rational thought and digital structures; preferring the misadventurous and crooked path.

Date: Saturday 20 January – Saturday 24 February 2024
Time: Monday – Friday 10:00 – 17:00; Saturday 12:00 – 17:00; Closed Sundays
Venue: The Levinsky Gallery, Roland Levinsky Building
Ticket information: Free admission

Upcoming events

Wednesday, July 17
Untitled design (13)
Bringing together four distinct painters – Bernadette Kerrigan, Chris Martin, Daniel Pettitt, and EJ Hauser – Everything That Happens Will Happen Today explores the formal and informal ways each of them make sense of the world through paint.
Saturday, July 20
Untitled design (25)
Hettie Judah, writer and exhibition curator, shares insights from her research for her book, Acts of Creation: On Art and Motherhood which explores the joys, messes, myths and mishaps of parenting through visual culture.
Wednesday, July 24
Untitled design (24)
Take a deeper lunchtime look into ‘The Time is Always Now: Artists Reframe the Black Figure’.
Saturday, July 27
Untitled design (3)
Come and immerse yourselves in an exhibition that explores pivotal moments in Plymouth’s past and present relationship with the sea.

Could you help Made in Plymouth?

Do you want to shout about the brilliant things you see in Plymouth?

Made in Plymouth wants you to share your stories.

We’re looking for paid Freelance Writers and Content Creators to contribute ideas and content to our platforms!