My Plymouth Art Weekender trilogy #1
by Juliet Cornell
This year was the third Art Weekender in Plymouth but having only recently returned to the area this was my first experience and I was impressed! The quantity and quality of the art was astonishing. Despite having one of the few dedicated Art Schools in the country and a well respected Arts faculty at Plymouth University, when I left 10 years ago Plymouths Arts Community was not hugely visible to mainstream Plymouth and beyond.
But things are changing and Plymouth Art Weekender is a vibrant sign of ‘Artsy’ Plymouth. I’ve attended week-long festivals which haven’t had such a voracious and high quality itinerary as PAW17. It didn’t pass me by that Art Weekender exhibits started popping up well before the weekend, and I hope some of it will hang around a bit as well. For me the weekender has been a case of ‘so much art, so little time’. I’ve written about the exhibits and events that really stood out in my weekend but there were many other wonderful pieces I would have loved to write about.
For me the first event was live music at Hutong Cafe. Hutong Cafe cuddles up to the outside of the main entrance of The Royal William Yard and is the evolving brainchild of George, Jack and Emma who opened the Cafe earlier this year. Diamond Family Archive are a Lo-Fi psych folk duo and they filled this intimate venue. The music was mesmerizing, the music swelled and grew to the point that it seemed impossible that only two men were creating it. Ambient sounds, seemingly plucked out of the night air were woven into the performance. Coupled with good wine and food, this could be the new way to enjoy live music.
U+me=US photo credit Rod Gonzalez
Ocean Studios played host to JoJo’s photography exhibition before and during the Weekender. This exhibition features couples who have committed to life together alongside single mothers with their children. I posed for Jojo 10 years ago in his first Plymouth Uncovered book and know from experience what a charismatic photographer he is so I felt a particular connection to this exhibition. His empathetic approach to his photography gives it the quality of painted portraits, evolved over a far greater timeframe. Faces, but also hands and feet are expressive at a deeper level than in a usual portrait because of some special magic that Jojo manages to infuse into his sessions. Some of the photos in this exhibition ache with the amount of information they are trying to convey.
I was lucky enough to talk to the artist after seeing the exhibition, and told him some of the sentiments I had picked up on from his images. Ever the consummate professional he said nothing indiscreet about his sitters but I’m sure his eyes agreed with some of my thoughts. I’ve been back a couple of times to enjoy his exhibition; it is well worth the time. This diligence has nothing to do with the great coffee and cake that can be bought at The Ocean Studios Cafe next to the exhibition…